Posts Tagged ‘Progressive’

A final piece of the puzzle falls together inside my mind when I hear Sahar Z’s myriad talent. His Dj sets and productions have simply distinguished himself from any pack. I believe, that music first and foremost should inform, educate and then simultaneously entertain….and Sahar is all that and more rolled in to one sparkling performer.
Plus there is no question about his royal presence in Israel’s vibrant night life scene, and is spoken off with much excitement and love. Sahar has always been in the fore front of club doings in Tel Aviv, except now his uncompromising talent and musical repertoire is pushing itself to the rest of the world with great speed and fanfare.
And I’d like very much to take the onus up of introducing the electric focus of Sahar Z to our Indian shores, cause he’s with it…


Sahar 🙂 Tell us how you’re journey began in the initial days of you starting as an up and coming Dj?-

SZ- From when I was 8, I remember coming back home from school every day straight to our living room where my Dad’s Turntable and vinyls collection were kept, I used to pick the same one every day that was ”Cerrone – “Supernature” and without fail hypnotized from the first analog synth arpeggiator I’d ever heard. Since then my desire for music, new sounds and new beats just grew from day to day. I used to go to school with my big double Tape Cassette, waiting for the breaks between classes to play music to my friends who were my very first audience.
When was it you realized that being a DJ/Producer is what you were meant to be?-

SZ- When I saw and heard the way people reacted to my sets and music.
Who were the early influences, the artists that you were growing up listening to that may have made an impact on you’re young mind?-

SZ- Cerrone – Pink Floyd – The Doors – Led Zepplin – Giorgio Moroder – Kraftwerk – Art of Noise – Run D.M.C – Depeche Mode – New order – Steve Wonder – Joy division – Duran Duran.
Israel has made a deep undoubtedly huge impact on the dance music scene, predominantly because of it’s Psychedelic Trance heavy artists, making their way around the world. Having come from such a background, how did you get in to the Progressive/Techno circuit. Is there a fair following for the latter sub-genre, what made you choose this sound?-

SZ- In my opinion to divide music in to genres is not really a productive thing, for me there is only music that I like and music that I don’t like.
Tell us mainly what got you going in to producing music, and is a large amount of you’re time spent tinkering in the studio. What piece of music equipment is your prized possession and do you play any musical instruments?-

SZ- A big desire to translate the way I think about music into something real that I can play and share with others. I played the Piano from age 8 till 15, my favorite equipments in my studio are: Elektron Analog Four & Virus Kb that I use for sounds like arpeggiators ,pads, chords,bass lines and fx, for drums programming I like to use the Maschine by native instruments.


Can you share with us your experiences of the residency at one of the top clubs in Israel, ”Haoman 17”, what’s the current status with it?-

SZ- The Resident DJ degree is a crucial significance in club culture. He or she is unlike artists hosted occasionally, DJing regularly at the same club develops a deep and intimate relationship with the audience. It is a powerful contact to making the degrees of a club experience to a higher level of spirituality. I did it for 12 years and in 2007 the crowd started to change in the club and I’d started to feel like a stranger in my “home” which made me decide to leave, to look and create a new one which is the Cat&Dog.


What’s your take on having won the Dj of the Year award, 3 consecutive times as hosted by one of Israel’s premier dance music magazines. Has life changed for you with these accolades?-

SZ- Personally I’ve stayed the same like I was before the win. The only things that changed is the fact that I have become the most popular Dj in Israel. I’ve started to tour the country from South to North playing every weekend. Sometimes in several clubs in the same night. For me it has been a challenging time. I was away from my “home”, from my regular audience that knew me and my music perfect. I needed to play to a new crowd that has never heard my style of music, but they’ve heard my name from the newspapers or from friends that came to parties at Haoman 17.
What made you open one of the most prolific dance clubs to come out of Tel Aviv- ”The Cat & Dog”. Could you share the ideas and vision you had to be part of this as a Dj and club owner. Do you take part in day to day activities, aside from featuring in you’re residency?-

SZ- In Tel Aviv at that time there were only bars playing a mix of all kinds of music and some mega clubs that is too mainstream and relevant to the young crowd.The good old and the new generation of the underground electronic people and music lovers were missing a place to hangout in that will fill their passions and needs. The cat&dog club was opened to fill this empty square in the club scene. In the day time I’m taking part with what is related to the music policy in the club – line ups – Djs and of course my residency.


Sahar, you are collaborating with some of the most respected record labels such as Bedrock, Lost & Found, Renaissance to name some. Happy to be part of such giants… do you suit your sounds with the requirements of the labels, or if you can fill us in with what exactly the process is behind these partnerships?-

SZ- In the studio I focus only in music – I’m not trying to suit it to labels requirements. What comes out in the end stands for itself. The process after is to contact a label you like and respect, that is releasing music in the similar sound and vibe. After the first/second release it’s normal to start a partnership/ relationship with the label if you both are happy with the result.
Do you enjoy remixing work of fellow Djs, as much as making you’re own tunes?-

SZ- I like them both but prefer originals. In remixing other Dj’s music I do enjoy translating their music and vibe in my way and to give the listeners another way to experience that track. As far as my own tunes go, it’s more personal. You don’t need to use other producers parts like in remixing, here everything is born in the studio influenced by your own feelings at that time and not limited by any genre or style.


The name of Sahar Z is synonymous with the other demi gods of dance music namely Lost & Found label owner, Dj/Producer extraordinaire Guy J and of course the Progressive behemoth Guy Mantzur. Can you tell us of how you guys met, got together and decided to collaborate in music. Could you give us a peek in to the specialty of the relationship you 3 share?-

SZ- I met Guy J and Guy Mantzur years ago, each one in a different situation and a different period of time. In both cases we started to hang out and share our vision of music, a subject that immediately led us to play back to back in some clubs and to the studio to make music together. After I met Guy Mantzur, I introduced him to Guy J and from that day we’re like a family and Lost&Found is the home base. What makes this relationship we three share special is that there is no ego here, it’s a friendship that grows beyond music, just pure respect and love.
To a layman this side of the world, how would you describe the sort of music you play currently?-

SZ- It’s music for your head and not only for your legs, what I’m trying to do with my music is to transport the crowd through a journey of atmospheres and moods ranging from hypnotic beats to deeply vintage synthesizers, with melodic sounds and fresh electronica to the harder yet soulful Techno edges.
Let’s talk about an important question that comes to many a mind. That of quality music…I personally don’t feel there’s much of great productions out there nowadays. Do you think dance music in general has become sort of stagnant? Boring? Monotonous?-

SZ- Yes I agree with you that the current electronic music market is flooded with lesser quality music than in the past. Today the ability to create music is accessibility for everyone because of the new technology rise. In this digital age to open a records label doesn’t require mortgage any more, you can release tracks with costs that are minimal. Take these two things, put them together and there’s the reason for that amount of non-quality music flooding the market. But there are still super amazing producers out there old and new ones… one just needs to really dig deep beneath to find the quality ones..
I’d like to know you’re thoughts on the annual Top 100 Dj poll?-

SZ- It was never relevant to me and I’m sure that in the last few years more and more colleagues and underground music lovers feel like me.
To hit the high notes of you’re production sensibilities; what are the elements or sound scape that you like to present in your music work. And if I were to ask you, to choose one tune that you are especially proud of having created, which one would that be…?-

SZ- I like to create a groove that will hypnotize you, it will be deep and warm but still a bit junkie and twisted, on the top one will always hear a deep atmospheric melody that gives my raw sound a human face, to make it less cold. If I had to choose one it has to be the remix I did with Guy Manztur for one of my tracks that came out on Renaissance Records- “Beyond Detroit” (Sahar Z & Guy Mantzur after-hours remix)-ITS A FUCKING MENTAL JOURNEY INTO YOUR HEART AND MIND!
How’s 2013 been for you on the whole, you seem to have peaked with much of you’re work being show cased by many a top Dj. Happy with your musical achievements?-

SZ- Yes, I think 2013 was a great year for my music , I had some great collaborating with Guy J – Guy Mantzur – Chicola and Khen (with more to come in 2014) that’s got some really good feedback, but also it was the year that I found my independence in my studio productions and I finally came out with some solo projects.
In the current day and age of fast rising names and flash in the pans, what according to you are the main stays of a great Dj/Producer who can stand above the rest in terms of longevity?-

SZ- First and foremost it’s important to make your own music, your own productions whether they are originals or remixes, you need to be unique and fresh so it can stand above the rest of the music out there, and there is a lot out there!! Secondly knowing how to use it properly and in a clever way all the new medias out there like: Youtube – Facebook –Soundcloud –Instagram for your own promotions. One can create their own group of followers from all over the world, it’s crazy…Thirdly, use technology to re- create your sound and sets.
What can we expect from the ”The Cat & Dog” club brand in the near future. Any plans to expand and or promote the project in a bigger manner in the rest of the world?-

SZ- We may go global in future, but for now our goal is to keep up with our vision and to keep entertaining the crowd with our music and keep the fun experience one can get when one walks in to this amazing club.


The varying forms of technology remain the topic of conversation now. How much of it do you use in your Dj sets?-

SZ- As much as I can. In this day when music is accessible to everyone, one needs to find a way to be a bit different then the rest and technology can help you do that. One can re create others music the way you like and make it exclusive again, you can bring an entire studio into the Dj booth in a size of an Ipad. Future technology allows you to do things you can’t really do in the classic way of Dj-ing.
Lastly, I honestly have not come across even one track that you’ve made that I did not absolutely love, I’ve always found your music deliciously haunting and dance ready. Can we expect any album or compilation release in 2014? And thank you for talking to us at length about everything Sahar Z and the music you bring 🙂

SZ- My future plans are to start working on my first solo album. It’s something that I must do for myself. My goal is to keep making music that entertains me so it can keep entertaining the crowd.. Thank you and big love..

When you wake up to the musical sensibilities of Sahar Z, you know you’re connecting to cutting edge music, fierce vision not many performers are gifted with. Undoubtedly that itself is enough to leave a pretty damn inspirational legacy…

A kaleidoscope of his tunes, and one turns in to a Sahar Z fan forever…till then I’m hopping like a bunny for his magic to hit India sooner than later!! Cheerioo munkeys 😀

For all his news, views and gig updates around the world, visit- Sahar Z Facebook

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Goodie bag section- get your hands on this sick mix, the latest in from the musical man at Tel Aviv, for Coalition Music…

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I want to sing sing aloud…. ‘Outside its pouring rain but inside my heart the weather is fine’… la laala a

Dance music gives us such genius, in times that is throwing up run of the mill dj sets. I witnessed an Electronic music behemoth when the man toured India in the earthly form of U-Recken! Take a bow, sir…

Dancemunkey pays full respect to a mortal who plays like a godly being. Not since the gob-smacking sets of John Digweed, Dave Seaman, Carl Cox and James Harcourt have I come across such abandoned fun & frolic. Trust me they are far and in between too.

The tour unfolded with the spectacular U-Recken in Pune alongside the heavy-weight presence of Helium Project in a sweet opening set that featured tracks by artists like Psycatron, Mutant Clan, Alex Di Stefano & Sun Control Species, and a monster closing set with indecent amounts of banging booty shaking gems from Ankytrixx.

I have to say that 1 Lounge in Pune left me cold, because the venue is quite the place to be, but the sound left a lot to be desired. Reports of the Guy J tour of India was fantastic as he is a Dj par excellence, but sound was petered down to a measly tinkle at this aforementioned venue, I wonder what may have been the reason behind that. Quality sound that 1 Lounge can’t boast of, in this of day and age of superior equipment that is easily available with simple planning for it doesn’t make a hole in the pocket of anyone, this is hardly enchanting.

Blue Frog, Mumbai was another story; this night U-Recken made it his business to enthrall us with magical music. Cutting to Ankytrixx this fearless bundle leaves no doubt in anyone’s mind that he is a power house performer and a star, quick opening & closing sets put the buzz in to everyone of us munkies. He had us eating up bombs from Azax Syndrome, Mad Maxx & Space Tribe to name a few. We could only just about move around at break-neck speed with the tornado in between. I, for one nearly asked for mouth to mouth resuscitation by the time Ankytrixx ended the night on a crescendo.

To keep things tight- U-Recken was epic; his selection of candies was monstrous and euphoric; something crumbled, humbled and transformed in each one of our musical soul.

Mainly playing his productions, I was fascinated by the audacious fierceness of the sounds rumbling out from his console. I charged head long in to the soaring textures, melodic samples and ripping bass lines.

As I sign off, a word of advice to lovers of electronic dance music, you have no excuse to miss the GU World Tours with Progressive House giant Dave Seaman-India edition coming up in the month of September. Check Facebook event page for listings of the cities and clubs he is slated to perform at. Unless I electrocute myself on some live wire, I should make it for this one…ha!

Do make sure you check out the man U-Recken himself and his take on music and his future plans for the coming year, in my following post…

Cheerioo me munkies!!

Toodles munkies!!
I am going insane in the membrane killing dancing flies that seem to be having far more fun than me, buzzing about in full force. I am squashed in frustration at their evident joy and my lack of musical pleasure, having attended quite a few gigs last couple of months that were much ado about nothing, really.
I am raring for that one night that’ll do my shuffling feet some justice and put me in full jog mode.

Never mind the heart burn of artists falling short of all our expectations and the vibe like burnt cinder. When I hear that Dave Seaman absolutely destroyed Butter at Goa, during the After Dark party, I feel all is well with dance music. Sublime I was told by some heavy weight artists of India, who were present to witness the seasoned carnage this legend can conjure up at will.
With super options of a myriad artists slated to perform in India as summer mischief, I am upfront and wide eyed in this New Year to face the full spectrum of dance entertainment, like never before.

Now with pleasure allow me to quote a line from a Younger Brother tune- ‘ It’s like a finger pointing away to the moon…don’t concentrate so much on the finger, or you will miss all the heavenly delights’
…oh so similar to my Flavor of the month- Shiva Moon!

Do not get carried away by the baby faced devil, his sets and Dj vibe pack a powerful punch.
I bring you an up close and personal with the very talented and cracker of a Dj- Shiv Gupta whose origins are from the southern shores of India, Chennai to be exact.
I had the good fortune to be blown away by this Djs unique style and racy set one terrific night of 2010, turns out I am a big fan forever folks.

An unassuming start a decade. Whilst on a stint abroad saw him worming his way into playing at house parties for the fun of it and doing the festival, club and live acts round.
Musically inclined from the start he was irrevocably changed when he experienced legendary performers such as Fatboy Slim, Chemical Brothers and
Basement Jaxx to name a few of the early influences, to become the musical heart in all  seriousness.
Having been bitten by the I want to make people dance bug, Shiva Moon made his way back to India to formally train himself in the techniques of the craft, getting a full blown diploma for Audio Engineering from the much respected institution of SAE, Chennai.
Shiva is foot stomping and fabulous!! He makes stupendous noise in the entire gamut of sounds ranging from Progressive- Tech House, Psychedelic, Trance to Techno dandelions; add the new focus on to hitting powerful Drum & Bass and Breaks to his repertoire. Shiva is the coolest fuzzy haired music marauder to hit the Electronic Dance horizon in India, albeit underplayed.
Having said that, I am tightening my dungarees for his sets this year alright.
Furthermore, Shiva Moon understands the entertainment scene altogether well, having been a successful label owner some years now, he has much touted associations with MMD Recs a popular company located out of Cape Town that upholds quality Trance like never before. The recent addition of tying up with Airsnare Recs keeps his hands screwed on to the best of Techno, as well.
Moon is a super honcho of a party promoter with the ‘ 9 Feet High Festival ‘ back in 2009 to the ultra spectacular editions of the massive ode to dance music with the GO: Madras festival held in Chennai, annually. The artists featuring in console action is getting diverse and tastier every year. Plenty of plans afoot for the 2011 edition is under way.
Apart from that, Shiva puts in mean guest dj appearances at many hip dance spots such as Blend, Liquid Sky, Blue Waves with a 36 hours stomper last year,
Hilltop with Sphongle, Pebbles, Pasha, Zenzi Mills to name some.

Shiva Moon ranks among the top 3 Trance acts as evident in an online poll conducted recently at
He is a top music sequencer and his sights are already on production in future, to make his musical journey as a performer par excellence an even more enhanced experience.
To top this, I have a spanking new set to share with all you munkies that gives you a tasty selection of artists like Mendo, Christian Cambas, Umek,
Oliver Schmidt, Loadster all rolled into an uptempo pounding party mix by Shiva.
Summer calling and keep moving, like I do!!

Download- Debauched Disco Killers!!

Hello munkies,

A cracking month of November has flown by, with heavy duty Dj performances as ever, in India. Time to take stock of my dancing feet, a re-gathering of energies, a sigh of contentment or not, a heave of the bosom and off I go to the mother of all months, time to make merry like no one’s looking. Before that, some quickies please.

Neuromotor is the quintessential human form of musical destruction to ones senses with his power packed performances that has not diminished a bit over the years, as was on full showcase at Blue Frog, recently.  He has been a top grader in the Psychedelic scene and a respected one at that. The name Neuromotor carries enough weight age to last us long after we are doddering dodos, right from the swift removal of garments that quite hinders him to his dancing and prancing, had the ladies panting for more I daresay, maybe some men too. Psychedelic gems were thrown pronto new and old from this old timer and everyone gasped to keep up. This time quite a few shirt buttons popped and flew off in several directions as noticeable autumn mischief….all good fun I say.

Ankytrixx did the opening set honours; as usual the monster boy of Electronic dance had it good with a furious opening set for the master man to follow. Everyone got to making moves faster than a pussycat and no one was complaining. The night was energetic and raw as Neuromotor spread his Psychedelic love smashing some old; some fresh tunes which were no euphoria, just high end pace and all helter skelter. Plus Blue Frog had a stupendous turn out holding its own. While another heavy weight act Astral Projection were performing the same evening at another hot spot in town. Reports of which are super, it was a bummer though as Astral Projection at Club Harvest, Pune was a complete wash out with many disappointed clubbers returning back wet and hungry not having gotten their dose of a could have been fantastic music tryst, as the heavens opened up buckets on the open air venue. Thanks to Ankytrixx and Jafar (BeyondLogic Records) some of us did have a stomping time at a not so complimentary venue where the same party was shifted, the energetic duo rushed us all with majestic Psychedelic cuts that more than made up for the down pour in Pune.

What did not rain on my parade at Blue Frog was Hernan Cattaneo; the Perfecto giant protégée of Paul Oakenfold no less had me engage myself with longed for Melodic Progressive much missing from club land Mumbai. Rough Acid swishing with deepening Dark grooves came relentlessly from Hernan which astonished me to a mumbling bundle of chaos. Hernan’s mixing style is almost reminiscent of Oakie himself, thankfully the comparison ends there. A Dj such as him is more suitable to play out longer sets I imagine, as a Progressive House journey has many meltdown moments and rising like the phoenix samples & bass lines. Hernan Cattaneo folks! Was Deep, Dark much brooding and definitely Progressive!

What surprised me most is the attitude of today’s clubbing generation some of whom I noticed screaming please play faster music at Hernan, chicks chattering louder than the volume and guys requesting track names on pieces of paper, what is it with that? I had to nearly be restrained from clobbering them, first they step on my toes and remain disco statuettes taking up dance floor space then they complain that they are not getting Psychedelic. I am sorry if I sound like a granny raver, but I have to cluck like a hen at the total non comprehension of club goers who can’t tell the difference of what one music style entails on to the other. I wish there was something called a disco police, I’d call for their arrest and education immediately. Hmmprhh!!

Wish all booty shaking earthlings a Merry December cause it promises to be musically yummylicious and mad fun. Me munkies hold tight!!

Time to face the future….

Doo doo doo, Da da da I am quirkily humming, a non conformist as ever hmmprrh!!

I got a sore back and heavy head with a first timer of sorts with the two ladies hosted by Blue Frog- Priyanjana and Kini Rao, dictating how we can make dance moves aplenty. Girl Trouble, indeed!

Let’s see now, the crowd at Frog was not so much to talk home about being a holiday week-end, but clubbers present had top energy. It was my first time listening to the pixie girl from Hyderabad, mucho fresh Kini Rao. I was surprised by the light energy she put forth in her warm up set. Although the tempo went all too fast for me but what the hell, she quickly got down to business by getting people to the floor with lotsa grooving and moving… not a bad thing at all. According to me, she had the requisite bar bass lines to get the floor warmed up, bouncy and groovy all at once. Tracks by Dubfire, Format B, Beckers, Butch & Slam are all on her showcase. All great stuff surely and she is easily a whole load of talent that can only go up from here on.

Priyanjana has come a long way from her residency days at Poison playing commercial sounds to being a goddess of Progressive. For a while now she has found her calling in House music and she does it damn bloody well. I am well aware of her transitions and find her to be one helluva artist to watch out for, what is also fabulous in her persona is the humility she displays even after being such a cracker of a Dj. She knows her craft and is wily enough to play big room sounds which is so important, it shows she is studying and knowing the venue to play exactly what she did. Massive futuristic gems flew out from her time at the console, she featured artists such as RPO, Anthony Pappa, D-Nox, Sonny Whorton to name a few and got all of us in a right frenzy.

I thought there were a couple of times when the two artists doing a back to back seemed disjointed, cause both are fiercely individualistic performers, overall with a session like theirs, it could have been really much worse for me as a clubber. As one is Techno plush and the other deeply Underground charged. For once I didn’t really concentrate on a journey, but gave myself off to a roller-coaster ride with the girls and their quick console changes till the very end.

I would really like to see Priyanjana & Kini Rao in their space, playing solo sets. To team them together doesn’t do justice to either of their sounds, so different from each other. But I am waving a red flag for both, they bode well for the dance industry in general. Priyanjana leads the way by giving anyone a run for their money, she has become that good in Electronic Dance music and Kini is slowly making inroads into the scene off late as I know it and I am happy. The night was fun enough with great energy, all around.

Tech-House is coming out of every orifice that I have and I am bored to death, it’s really getting pre-historic for me. Give me lush Progressive Underground melodies and hypnotic Techno, with those booming spacey bass lines. Oh lovely! Both the above mentioned artists did differently and I can only kiss their senses.

A big shout out to Fahd dearie at Onseed for a flyer that’s funked out. Also, if anyone feels like re-skinning themselves you must visit for more details.

I’m off to a biggie, but not before I furnish you with Priyanjana & Kini’s mix sets, available for your download capabilities.

Dj Kini Rao-  Download!

Dj Priyanjana-  Download!

The sun is playing hide & seek with us and so are the Djs.

Brilliance is going peek-a-boo at me. I don’t know what it is with top Djs of the world on a Yeke Yeke trip, makes me wonder if the track is really a diamond in the rough.

So well D-Nox is charismatic, handsome as a monkey and has sounds of wickedness to boot. Now, was it enough to conquer my heart? Yes I think so.

D-Nox in short happened to be brilliant the first 45 minutes of his set. The bass lines were carefully crafted to suit our mood, which was electric to begin with. No-one can doubt that his console presence is the bomb, Tech goodness flowed from his hips that made all of us groove hard and kick up dust on the floor. He has definitely moved on to a new sound, as compared to what he played 2 years ago.

Great productions were on show case, including some of his own and time flew fast, till a plateau of staccato beats was reached and then it just refused to go any further for me. Again, I seem to be on loop about this, but there has to be a journey created where the only way is up. Hence-forth, the organizers should really pay attention to club timings in India and notify the artist of the same, so the performer has the luxurious choice to go all guns blazing…and for that he needs to be aware that closing time comes hard and fast. Here in India we do not have let’s say a 6 a.m shut down; what a yummy thought that.

So an artist does the home work to play sets that in short create a journey for the clubber, and in the process makes sure it is peak time music.

Legendary names such as John Digweed, Dave Seaman & Josh Wink to name a few are all top of the heap as far as creating tightly woven musical outings, by god!!

Helium Project & TechnoBoy built up the opening tempo, dark and brooding and definitely different from anything I’ve heard either play before.

Now coming back to the man of the hour, D-Nox rocks and I got the chance to getting him sharing his thoughts in an exclusive interview. Boy! He is interesting.

Read on munkies…

Q. If I’m not mistaken this is your second trip to India, how has your experience been playing at the clubs here, do you find a difference that’s marked?

A. Almost right. This was the fifth time I came to India but the first two times I came more for holidays reason to GOA, somehow I end up playing there as well but the last three times I was here just for music reasons. I can see that India’s electronic scene is still very small and still growing. A big difference for me is that clubs close early and that people celebrate in a different way. It feels strange to close a party at 2a.m or even earlier. Normally we start to party at 2 a.m and go on till late. Also I have played for very few people which make’s me realize that electronic music doesn’t reach a bigger audience still. Bombay was wicked, looks like people are much more interested in E music.

Q.At what age did you start Djing and any one in particular you got inspired by to start spinning?

A. I am Djing since I am 12 years old. Music, especially the music from the 80’s was always flashing me. So I started to record and collect. Well few years later, there was acid house music and then around 1991 I have heard techno for the very first time and I couldn’t believe that such thing was made. I got hooked up right away. My first money playing was 1992. Since then I play almost every weekend.

Q. Where do you reside country & city that is home?

A. My home city is Berlin, and soon I will have a second home in Brazil.

Q. Do you have any other job besides Djing?

A. I run two record labels, event company and I produce music with my partner Beckers.

Q. Would it be fair to say that you moved from Progressive House to Psy- Prog to Progressive Trance to Techno/ Progressive now, for example Nowhere/ Sly Flynn & D-Nox for Plusquam Recs in 2008 and Antix- Le Lascard (Iboga) in comparison to You are A Star/ D- Nox & Beckers 2010 from Armada Music, being your new sound?

A. We can say that I never really thought about styles. Even in the very beginning of my production career I just did what came somehow out of me. If you look at the names of the labels. Yes than u are right. Plusquam and Iboga is the home of progressive Psy trance artist but my music never sounded like this. The beginning of all, the early 90’s, there was no genres, there was only techno, we didn’t realize that slower or faster music needs different names. The new sound is the same as it was before, it’s all from mine and Beckers inside…. To be continued…

Please note that I had to break the D-Nox post in to two sections due to length concerns.

The second post shall be a continuation of his interview with me and as usual the goodie bag section will contain a resounding Guest Mix by D-Nox plus Helium Project and TechnoBoy’s Techno candies will be up too.

I had massive fun at this one unlike clubbers who were sadly let down at Infected Mushroom in Pune last week. I mean we are so last century folks, the authorities govern a musical at 10 p.m and tell us we cannot dance or scream our intestines off at our favorite artist performing, oh yes Infected still has the power to reduce people to a heap of happy people…… Anyway, I hear apparently the organizers of this particular event may not have procured the relevant licenses to host this event in question. Bloody hell! Tickets were sold, people were screaming their arses off cause the club was told to shut down barely minutes into the mighty Infected Mushrooms toes even settled on stage. More importantly, I wonder if people got their money back. Organizers should really pull their socks up to this hideous display of un-professionalism, makes us a laughing stock internationally.

Mumbai, I hear was a different story, clubbers got a treat all right.

To get on with it, my toes didn’t get to settle either at Zenzi Mills, cause I had my device blown off to bits, with Andrea Bertolini; brought to us by (Air Snare Recs & Hybrid UV)- oh boy was he was a revelation! Sure I know his golden productions, but hearing him play at a set like he did woweeee bunnies, I am sold.

Mikhail the resident dj at Mills played a sweet, warm up set to stoke me to a god damn toast with his Tech- House specialty. He is quiet as they come, but don’t mistake that for the world, he gets naughty by jove! Mikhail’s spin favorites are: Kliniek- Dj Madskillz, Jungle- Mijail & Victor Vera and Handsome- District One to name a few.

Andrea got on with the vibe and said to hell with it boys & girls off you go to the moon and back sometime about 1.30. We are living in the cave ages my fellow munkies, I mean which club is supposed to shut down at that unearthly hour.

Senor Bertolini rinsed us out with heaps of glitchy vocals, driving murky Progressive sounds blended in to Techno cuts, in one huge wave of the finest productions from that side of the equator. It included his productions and such; Clouds- Andrea Bertolini & Hatfield (Vocal mix), Conscido- Mark Knight & Wolfgang Gartner (Org mix), Purple Sunset- Worakls (Andrea Bertolini rmx) & Novarupta- Serge Devant (Org mix). Top stuff, dahlings!

Zenzi Mills has a teeny bopperish vibe in Room 1 on a Saturday night, constrained for space dance area with an un-necessarily big bar taking centre stage, but what the hell they sure go right up the radar for me by hosting djs such as Bertolini, top it with Funktion One sound and you have surging aural pleasure. Zenzi Mills is very much in the scheme of things in nightlife Mumbai with top young talent as featured performers and add to that repertoire, international names as well on a pretty regular basis. Big thumbs up to them, it’s a place to be dancing at, surely.

Andrea Bertolini is busy as a bee over the weekend with the India tour duckies, if any of you happen to be in these cities Chandigarh, Hyderabad & lastly Chennai, put the tight stuff on, go for it.