Posts Tagged ‘sLick’

Instrumental excursions from the Pryda Friends Family protegee means only one thing, that this veritable treasure trove of talent understands the mechanics involved in making his audience make unending shapes on the dance floor..The expertise of his musical brain makes him one of the best in the electronic dance music space since the time he’s hit consoles as a young find from the Prydz stables, and he continues his restless and relentless march conquering every path he travels. More-over his artistic success is no quick flash in the pan…Getting to it with Jeremy Olander just before he embarks on a quick tour of India with underground power house lycan sLick! is a pleasure, all mine…

Hi Jeremy, been 6 months since we chatted at your last outing in India. How have things been since 2013 and what’s keeping you busy these summer months?

JO- Things have been great, thank you. Been making loads of new music and have been touring quite a bit. Just recently came back home after about a month in North America where I played a bunch of club shows, as well as some really cool festivals like Mysteryland and EDC in Las Vegas. Really nice experience.

The all important question, what inspired you to become a Dj?

JO- I actually started out producing first and being a DJ was something that came naturally later on. Ever since I finished my first track I started thinking in terms of how a club crowd would react to it. For me the two really go hand in hand.

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You’re quite the computer geek and would rather tinker around with gadgets and music stuff. What’s exciting you at the moment, any musical gear that’s taking up your attention lately?

JO- Haha, yes I am. However, when it comes to my production of music I really take a minimalist approach. My philosophy is to keep my setup simple and try to really thoroughly learn the tools that I work with and make the most out of them. I did get the Maschine from Native Instruments a while ago though thinking it would be a cool addition, but it just ended up sitting on my desk collecting dust.

Your take on new age Progressive House is pretty much different to what’s playing from under the genre by other Dj/Producers. Is this still pretty much following on the foot steps of the giant Pryda label music sensibilities?

JO- Even though guys like Eric, Sasha and John Digweed have been major influences of mine I’ve always tried to leave it at that; them being an influence. I try to create a sound that I can proudly call my own, fit in my DJ sets and offer something that I feel is unique and hasn’t already been done.

You’re having quite a season traveling all over the world more than ever, can you give us your best club experience and any festival that you loved in terms of crowd, vibe and sound systems recently?

JO- Tough question because pretty much every show has been great. There are two that stand out though. For festivals, I have to say Mysterland USA. I played the Sunday School Stage back to back with Fehrplay and the stage production, the vibe and crowd was amazing. Even though it was in America it felt like a European festival. The location was Bethel Woods, which is where Woodstock was held back in the day. That added to it as well. As far as clubs, Beta in Denver was super cool. Played there for the first time and the sound system is one of the best I’ve ever heard.

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What keeps your feet planted in Sweden, do you think the electronic dance music scene there as fertile?

JO- We’ve always had a really good underground scene. Even though it’s been small it’s been innovative and healthy. Nowadays when the scene has so much attention and people have broken through to the mainstream the amount of shows have gone up and they’ve become a lot bigger. I think some of the best DJs and producers in the world come from Sweden but I would love to see some more variety in terms of more Progressive and Tech guys maybe. Would be a cool compliment to the big room sound that’s so dominant right now. It’s definitely fertile though and there are new guys and girls that I hear making great stuff all the time.

As a producer do you consciously like to keep it melodic and bright?

JO- I love melodies and creating them is a really fun aspect of producing. They’re what strike an emotional chord with me when I listen to music and others too I think. More than anything I just think my sound and the music I make is the result of the people that have and still influence me like Eric, John and Sasha.

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How’s your other project ”Dhillon”, coming along, last time we chatted you had mentioned there’s stuff you’re doing through it. Mainly we see a release ”Lost”, on the Drumcode label. Where was your head at, while making this track?

JO- Dhillon is doing great in his dark cave. I love Techno and making drum-oriented tracks just as much as I do making melodies and he allows expression of that kind of sound. Yes, that’s right. “Lost” just recently came out on Drumcode and their compilation A-Sides. Truly an honor for Dhillon to release stuff on there. It’s one of the most special and influential Techno labels out there. We have some cool stuff lined up for Dhillon going forward and I look forward to further developing it.

How’s your buddy Fehrplay doing, enjoying yourselves out there?

JO- He’s doing great! He doesn’t live in Sweden though. He’s from Norway originally but lives in London now. We played EDC in Las Vegas and Mysteryland together and he was all smiles as usual.

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Happy to return with sLick for a quick tour this July, what are you going to do differently as opposed to your previous outings..can we look forward to your new releases being played out at the gigs?

JO- Very happy to be back in India with this mini-tour! With my mother being Indian, it feels extra special to play there, explore the scene and introduce more people to my sound. Had a really good time last time and this time around it’s going to be even better. I’ve managed to stay productive on the road and have some time to finish what I’ve been working on now that I’m home for a little bit, so you can definitely expect to hear new stuff from me!

Your top 3 favorites tunes?

JO- I’ll give you three that aren’t dance music just to spice things up a bit.

Yung Lean – Yoshi
Drake – 0 to 100, A$AP Mob – Hella Hoes

How’s your music been received in the recent North American tour, is the crowd there receptive to the Olander motto of creating a journey and not just go bang bang from the word go?

JO- To be honest, I was nervous when I went there first time just because I didn’t know what reaction to expect from the crowds and what they expected from me. Kind of like when you start dating a new girl and don’t know each other all too well. Turned out my worries were unfounded and people really do understand my style and appreciated what I do.

There’s of course a lot of people that are just as educated in America as they are in Europe and it’s cool to play for them together with people that have recently discovered dance music and are just starting to dip their feet in the culture. It creates a really great energy because when something is new and fresh, you tend to me more excited about it.

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How’s the Jeremy Olander plan looking like for the rest of 2014?

JO- In addition to visiting you guys I’ll be playing some shows in Africa, Ibiza, Creamfields in the UK and Electric Zoo in New York. Music-wise, I’m prepping a big comeback EP on Pryda Friends. With my most recent release on the label being “Bandersnatch”that came out in late 2013, it feels like it’s been forever and I’m very excited for what feels like a homecoming.

It’s going to have variety of tracks ranging from fan favorites that people have been wanting me to release for some time as well as new, completely fresh stuff. Have more projects in terms of releases lined up that I’m excited about but can’t really disclose more details at this point. Stay tuned! 🙂

Are you ready to be adventurous and sample some spicy Indian curry this time around?

JO- I definitely am! Love spicy food.

sLick! Turns 3 celebrations in association with VH1, shows off the Olander magic at these cities-

Friday, 11th- Blue Frog Mumbai

Saturday, 12th- Blue Frog Delhi

Sunday, 13th- Sanctum Bangalore

Additional Links- www.facebook.com/jeremyolander

Soundcloud- www.soundcloud.com/jeremyolander

Gotta go sharpen my claws for this one…until then my munkeys…keep tight 😀

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Regardless of India’s sometimes archaic, some might even say burgeoning night life scene.. my search for a perfect party ended, when I got to experience the legendary Bedrock Records label boss John Digweed, a connoisseur of Progressive/ Tech-House at a local hot spot not so long ago. In a sea of events catering to raking in the big bucks, these nights brought out a handful number of fans old and new who love the underground. The two nights I speak of, remain unforgettable. The turn out was not as expected, but we who were there had an aural carnival. The lights down low, minimal fuss and a cavernous smoky vibe along-side the very nature of the hypnotic quality in the music was designed to dance uninhibitedly. The raving attitude of old, where one finds each other while floating around the room, if they want to on full display.

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In contrast, with due respect to clubs or festival parties featuring for example the popular figures like Armin Van Buuren, Tiesto, Steve Aoki to the Hardwell and Avicii are usually a spectacle of corporate sponsorship at hand with the bottle popping, cake throwing, confetti flying, picture taking decadence.

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The divide is stark and felt immediately between the two segments, as catching up with the west we tend to book one of the Top Ten names, pay them huge amounts of money, which immediately indicates that they are ‘it’. As the cash got discovered in commercial House music world-wide, in turn India seemingly followed trends from international waters causing promoters/sponsors to focus on commercial EDM, as clearly the volume is in the youth. The entire phenomena is concentrated with our young as the core receiver and consumer who find popular music to be cool or trendy. Mainstream dance music mostly depends on vocals rendered by fashionably dressed recording artists collaborating with names such as David Guetta, Deadmau5, Kaskade to drive their packaging. Back in the days, the other experimental EDM came from Frankie Knuckles, Danny Tenaglia, Paul Oakenfold to Sven Vath in the later part of the 80’s/90s and early 2000. Early sign post parties held at Twilo, Tunnel, the Palladium and of warehouse clubbing in Europe are raving yarn. In no way, does the latter scene have lesser numbers abroad, till date.

Many of our local acts such as Anish Sood, Ajit Pai, Lost Stories, Clement DSouza, Priyanjana are sale able artists, who pack places with the younger lot that like the sing along vibe in India. Chatting with Priyanjana brings out the facts that cannot be ignored when she quips- ”Each to their own. Having said that, I am at a club residency where we feature commercial artists as well as the Underground acts. Yet, the only thing that gives it up, is when the public themselves end up enjoying only one and not the latter. It’s frustrating, but I would like to be positive and hope to see a change in that attitude in the near future”.

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Our divide could be because, the club going audience here, does not have the numbers that sample a varied taste in music which is an essential to advocate, all kinds of genres. The early closing times at our clubs also play spoil-sport to building the Underground vibe. D-Nox (Germany) world renowned Techno Dj and label owner at Sprout Music say’s of our club scene-”It’s important for a good Techno party to go the distance of hours, only then can one feel any kind of hypnosis”. As was evident in his gigs in India, where short sets didn’t do any justice to the style of underground music he plays, which requires time to weave a story or create a vibe.

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Founder at Krunk; Sohail Arora is positive though- ” I believe that in the last 2 to 3 years, we’ve seen a positive change to the rise of venues, festivals in our country supporting underground music. It’s been the busiest season so far and I feel the line getting blurry as many of our events are being head-lined by good artists. Even though we have a long way to go in terms of numbers, it’s still a great place to be in”.
EDM in India is the trendiest acronym for Pop music and then one has the respected Grammys acknowledge the impact of EDM stars such as Skrillex, David Guetta and Deadmau5 and our core youth is sold to the prominent styles of today. Several niche parties in metros such as Mumbai and Bangalore do suggest though, of the novelty in mainstream to be fading a bit and a balance created with the underground wheel.
Artists such as Sanjay Dutta, Ankytrixx, Madhav Shorey, Arjun Vagale, Praveen Achary, Jehan Johar, Anastasia & Whosane, Vipul Angirish who play forward thinking sounds reflects the broader range, are in fact performing with greater regularity.
A corporate hoodlum by day with the flip side of a crackling Techno Dj by night- Helium Project banters: ”The introduction of Commercial House music has expanded the size of people listening to EDM, but then roots where the genre originated from, is completely lost. Dance music, with it’s commercial packaging inside of EDM, is responsible for the down trend of quality music, whether by skewed programming in festivals, and club gigs. However, a handful of Djs/Promoters are hanging on to the more purist vibe. It all depends on how many of us are ready to bring in quality music which doesn’t necessarily get the cash registers ringing”.

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Ash Roy, a member from the defunct yet most successful electronic bands of India, say’s- ‘‘The reason why Jalebee Cartel became a fantastic architect of the Indian underground scene was because we brought in the concept of Live Techno alongside the vibe of a proper rave, but as the band’s success grew and bookings started to pile up, our musical vision started to suffer, as it often happens the demand for a friendlier, more identifiable sounds came to our notice. Which was never our vision nor was it the direction that we wanted to go towards”.

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On to another Dj/Producer making waves in our underground and more eclectic sphere; Madhav Shorey has this to say- ” I think the rift is something that’s always been there. Some things just belong in certain places and that’s just how it is. Underground music over the last few years has made a huge following for itself over the globe and is at a nice place where young artists who are experimenting and unique are making a name for themselves and even tricking into the mainstream. A lot of genres are blending into each other and honestly, neither one would not survive if it weren’t for the other. We would not have an option and I think it’s important to understand that”.

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However, I remain confused at the future of dance music expansion in India, even though non formulaic music is getting a boost from companies like sLick!, Audiophile India and Unmute agency, a most heartening sign at best. There remains primarily, the attitude of a mass majority, who are still not ready to open up their minds to music with out Vocals. Also for the most part much of club etiquette is missing (more on that, later)..

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Cutting edge performers such as Dubfire, D-Nox, Guy J, Richie Hawtin to name some have lured in good turn outs in 2013 and most encouraging for the circuit, that followers with mature taste in music and an older lot of fans are coming out in support more often fantastic news. Whatever void in this scene remains, is slowly but surely enterprising itself also with nightclubs such as Blue Frog, Lap, Bardo leading the way with show-casing many styles other than just the main stream. I want to be part of a day, when we can have a groovy scenario much like Richie Hawtin’s artistic fruition, where from being a typical child of the underground has gone on to make his project ”Enter”, a big business fashionable curation at Space, Ibiza. Much as I rejoice seeing the good times an Armin Van Buuren concert gets for our clubbing youth, I’d like to feel the experience of a Sven Vath driven ”Cocoon” rave instigated with equal equanimity.
The future looks bright but clouded simultaneously. Until we inculcate a broader thought pattern which rises above all to do good, invite more variety with regularity, we in every way stand a chance to languish in a race, no one is winning. Where the habit of a verbal rave is met with an actual one. I think it’s going to take more than that, to be a force to reckon with…

Before I run off to stomp another yard, as a foot note… after witnessing several top names in both the commercial and underground scenes, I’d very much like to point out to our promoters, that I’d rather pay top bucks to the local Dj/Producers of India who do such a fabulous and a far better job night after night, than hear crap coming out from the speakers played by (atleast some of them) these famous international artists of the electronic music scene. Can someone hire me as a disco police? 😀

Cheerioo munkeys, gotta get my freak on….

Aloha August munkeys!!

Once in awhile there comes a performer who in the boredom of your dance mind, makes you get up and take notice of the warm beats they get dropping…. To veer away just a wee bit, to me 2012 is turning out to be a golden year for Progressive House and Techno standing out in the Electronic dance music tank.

Moving back to matters at hand..there is an artist of the finest caliber when he gets on the decks, a fabulous thoroughbred. He has been in the club scene many years as the hugely enviable Mashtronic, he is currently enjoying super stardom as one of the hottest Dj/Producers by chasing a successful solo career… which is why I am delighted to introduce to all of you the man cometh on his debut India Tour.

Give it up for CID INC from Finland.

Dancemunkey got the chance to have a chatter with him just before he gets started on his India tour. Get comfortable under your umbrellas and have a read will ya!

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DM– Hello Henri Hurtig alias CID INC;  where did the choice of name come from. Does it  stand for something?

CID Inc– Heyya! Actually Cid Inc is a short form of Acid Incorporation 😉 I really liked and also played a whole lot of acid House/ Techno back in the mid 90s, hence the name and been stuck with it ever since.

DM– Give us some details on the start of your music career, your fans in India don’t know much?

CID Inc I started doing music around ’89 some time, it was with a computer (Commodore Amiga) and a very limited 4 channel program called Noisetracker that used 8 bit samples. Producing music was just a hobby until beginning of the new millenia when I really started focusing on the music. 2004 saw the first vinyl release with Mashtronic. I’ve been Djing since around ’93.

DM– Did you always know you would be a Dj and or producer?

CID Inc– Well I always knew I would have music as a hobby at least, as it’s been a passion since I was a kid. Once I started Djing and House/ Techno music came into my life I knew I wanted to work with that if possible.

DM– You started off in the 90’s, any artists in the scene you aspired to be like?

CID Inc I was really into KLF, Prodigy, Shamen, X-express 2 and also the whole rave thing in the beginning of the 90s. The list would probably be endless if I’d start naming all the influences.

DM– Your early years were spent in Finland and Sweden, did you take any formal training for the craft. Or was it that you just started tinkering at the decks?

CID Inc– We were a bunch of friends who started learning Djing, no one taught us so it’s all self learned.

DM– Mathias Bradler and you started Mashtronic, gaining a lot of prominence in the Electronic dance music scene…are you happy with your initial collaborations with Bedrock and Global Underground?

CID Inc- Yes, we were especially proud of the releases on Bedrock (of course!) Would be great to have a Cid Inc release on there as well at some point 😀

DM– Where does Mashtronic stand today vis a vis your solo career?

CID Inc– Well we made the last gig over in Macao, China back in 2010 and there’s no plans what so ever to continue working with Mashtronic. Concentrating doing solo stuff for 100%.

DM– Henri you’ve released your original productions and remixes with nearly every top label, how did your own happen- Replug Records. Is there a specific sound you advocate under this label?

CID Inc– Like many dudes in the scene, I wanted to have the chance to release what ever I wanted and when ever. When Jason from Proton told me about their “Proton Soundsystem” which is a management for labels, I thought that now is a good time to set up an own label. Proton has a very cool management system where basically everything’s automated, from royalty payments to
sending contracts for artists. This way I can concentrate more on the production and mastering
side of things but at the same time run a label. I usually get hooked on everything between Techno, Progressive, Tech and deeper sounds, so basically anything goes as long as it’s
something that rocks my socks.

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DM– Any thoughts on the association with sLick, it’s a first class collaboration to come to India with?

CID Inc– Looking forward to it and I reckon it’ll be great! Prateek (from Slick) works very professionally so it’ll be  a pleasure for sure.

DM– Do you carry any impressions of India, considering this is your debut performance?

CID Inc– Well I heard the clubs close quite early, not sure if this is the case any more though. Anyway, really looking forward 🙂 to playing over there in India, always exciting to conquer a new land =)

DM– Which is your favorite club in the world you like to play at?

CID Inc– I’d say B018 in Beirut is one of them. I go and play there every summer, the Lebanese crowd is something extraordinary. Always fantastic times.

DM– Any particular thing that you don’t leave your house without, before a gig?

CID Inc Laptop & Controller!

DM– What is the concept behind the Replugged Volume 1 compilation. Are you planning on taking out similar releases?

CID Inc I wanted to put quality tracks in one release. Might be that Volume 2 will be done for next year.

DM– What would you call your current sound?

CID Inc– I suppose it’s a mix between Techno & Progressive.

DM- Do you dig your head in to the studio for days with production time, or do you like to work fast and get out gigging?

CID Inc– Totally depends on the mood, sometimes it takes few hours and some times a month or even more to finish off a track. My Mastering Service also takes a whole lot of time.

DM– What’s happening with your association with Global Underground tours, how’s that going for you?

CID Inc– GU has been very quiet the past year since the organization changed, so there’s not been happening much to be honest.

DM– Are you residing in Finland now. If so tell us how the music scene there is, any clubs that are extra ordinary for you?

CID Inc– The scene is quite ok here, not too much Progressive stuff around though. There’s two good clubs in Helsinki; Venue and Playground.

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DM– Tell us how you like your console set up, anything you must have?

CID Inc– Not sure I understood the question, but if meaning the Dj booth then there’s a must for enough space for my Laptop and midi controller I play with.

DM– Did you ever spin on vinyls?

CID Inc Yes I did play with vinyls a loooong time ago =)

DM– Do you ever like take the older stuff produced out and think that maybe you can do more with it?

CID IncNaah, once a track is done then it’s done, period.

DM– Give us a tune, that you love to drop.

CID Inc– At the moment it’s the upcoming Guy J remix of Gill Norris – Forme. Biiiiig track!

DM– Can you tell us of your forthcoming releases and all that your fans can look forward to in 2012?

CID Inc I have an EP coming on Luis Junior’s Mooseekaa label, doing a remix for DNYO on Proton plus a few originals under the work that will be released on my Replug label and others.

DM– What does CID Inc on a day off, do to chill out?

CID Inc– I usually work seven days a week , but trying to have time off on Sundays (when not traveling) and spend it with my Missus and dog. Usually it involves red wine, good food and long walks in the nature.

DM– Ever recall a crazy fan giving you the evil eye 🙂

CID Inc– Can’t recall,  but I’m sure I’ve given an evil eye for a crazy fan 😀

DM- What’s your gig guide looking in the near future, where do you go from here?

CID Inc– After India it’s time for South America again.

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DM– If Prateek Pandey from sLick has a tear in his eye after your gig, what would be your words to him? Hahha!!

CID Inc– “Have a tissue” 😉

Hehe and so goes the story from a formidable talent in electronic dance…with a killing music sensibility and underground flavor to boot. Contemporary Techno is reeling under CID Inc’s imprint and I am jumping to witness the time he takes control of the rooms at these dates of 23rd, 24th and 25th of August at Royalty, 1 Lounge and Ricks respectively.

CID Inc’s tour of India is brought to you by sLick! a name that is synonymous with quality dance music…I am off  to ridiculous amounts of wiggling and wish you munkeys the same…

To sample a CID Inc experience get your ears on a precious mix set from Henri that’ll munch your brains to a stew! So long chumps….

CID INC AUGUST 2012 Promo mix

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Yeooowww munkeys,

We are hot n heavy with summer fun…so much dancing to be still done! Pull up your socks or don’t, getting a load of the genius behind the fantastic ‘Way Out West’, comes easy.

Jody Wisternoff needs no introduction to the world of Electronic Dance music. His kinda Progressive House is distinctive and unique, to me. Forever slinky and somewhat with a mystical quality, that’s never failed to pull me in. Jody’s musical traces go way back and has left a magical imprint, since.

sLick in India, is a front runner for quality Underground House music and has the onus of presenting Jody’s tour in this country. June is becomingly Progressive with the Dj in question hitting consoles on the 8th, 9th & 10th of next month. With Delhi, Bangalore and Pune playing host to the artist.

I am delighted to get a peek in to the Jody Wisternoff matter. Get yourselves cozy and have a read munkeys…he is wonderful…

Welcome to India Jody, can you tell us a bit about how you started off with Djing?

J- Thank you! I started mixing Hip-Hop and Funk when I was a kid, cutting up Breakbeats/ scratching and all of that stuff. Still at school I was too young to go to clubs, so my dad would take me to house parties where people like the guys from Massive Attack were playing. I was fascinated by this whole thing, and was really drawn to the music side of things, and I was lucky enough to have encouraging parents so just went for it.

Where were you born and brought up, was it a musically rich environment?

J- I was born and bred in Bristol and have no plans to move. It has an extremely potent music heritage and is still on the cutting edge if you ask me. But yea, having hippie parents meant I was surrounded by music and an alternative lifestyle from the go. I am sure this has rubbed off and helped me develop my creative side.

Which were your earliest gigs, how did that go?

J- My earliest proper big gig was the first Universe rave, somewhere near Bristol back in 1990 or something. It was an incredible experience playing to 5000 people in a huge tent at 3 a.m. I quit school the next day.

Can you share with your fans, how the production side took shape?

J- I was in to making music from the very start, initially with a 4 track Tape Recorder, a Casio synth, TR808 Drum machine and one deck for scratching. My little brother was the rapper and we just made tons of demos, one of which was picked up by early Bristol pioneers Smith’n’Mighty. Allowing us to use their proper studio and put out a real record. This blew my mind, along with the fact that they gave us a publishing advance which was enough to buy us a sampler/computer/mixing desk and a few effects units. Having these equipments really allowed me to learn and develop the technical skills, also the fact that my parents insisted that I took Piano lessons gave me the theoretical understanding of music. Things just evolved from hereon really…

Any fellow Djs that you may have been inspired by, in the early days?

J- Obviously the Bristol guys like Massive Attack & Smith’n’Mighty…Also people like Mantronix, Jazzy Jeff, Grandmaster Flash & Jam Master Jay. In the early days it was all about Turntables skills and beats. I wasn’t really in to the House/Techno/Rave scene yet. This was to come next…

How did your association with Nick Warren begin, is it safe to say that ‘Way Out West’, has a Progressive House bend to it?

J- I had been doing the Sub Love for a few years, the Rave scene was starting to get a bit dodgy and I really fancied a change of vibe. This was around 1993, a year after the rave thing really became commercial. Nick came along and asked if I fancied a collaboration and trying out a different style of music, which was to be a mixture of my hardcore Breakbeats and bass lines with his Balearic clubby kind of style. I really liked the idea, we had instant studio chemistry so we started making the music together which was to be called Progressive House 🙂

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‘Trails We Blaze’ on Anjunadeep, happy with the debut of your solo artist album?

J- Yes, definitely. It’s an expression of where I am at right now musically….I suppose. Anjunadeep are a great label to work with too. Really cool people, with a very professional attitude.

Your radio show ‘Intensified’ has grown in leaps and bounds, music wise is it what you love to show case and call your current sound?

J- Yes for sure, I just try to play the hottest tracks of the month with a healthy balance of unreleased/ promos and commercially available stuff. Hopefully people who like certain tracks actually go and buy them, if this is the case then I am doing my job properly 🙂

Any thoughts on India, is it a first?

J- I played in Hyderabad and Chennai a few years ago, had a fantastic time. I am super excited and happy to be coming back. Very friendly people, and the mixture of beauty and poverty is very eye opening.

It’s been a long way from the Sub Love days, how do you juggle production time with gigs around the world?

J- The tricky bit is juggling the music with family life, as I have two young kids. Luckily the studio is below their bedroom, so it’s all good lol!! But seriously, weekends are for traveling and mid week is for studio. That’s how it works.

What do you like to do to chill out?

J- Spend time with my family, it’s really nice to switch off from it all and just take the kids to the park.

Your favorite cuisine?

J- Indian of course 🙂

A particular club in the world you love going back and playing at?

J- Cinema in Budapest is awesome, everyone is there for the music and they go bonkers.

Do you like the direction dance music has taken in this day?

J- Yes I think it’s a very healthy time right now…a lot of cross pollination of styles and generally things have got sexier and cooler. Also, the 20 year old cycle seems to keep happening so there is a lot of early 90’s influence again. Which is great, cause that was where I started.

Indian clubs play spoil sport with timings, as we are known to close early; will you re-work your set to hit the right note at the right time?

J- Haha yes sure!! I’ll shift everything back a few hours. This should not be a problem at all.

Your impending India tour, excited to feature this side of the world again?

J- Absolutely, bring it on baby!!

Tell your fans a bit about what they can expect from you musically in 2012.

J- Similar stuff to the vibe of the album really. Going to keep doing the vocal stuff but also got some really cool new tunes on the go in the studio. Mixing 90’s style Jungle with Deep House. Also Nick and I have started working on a new album together and this should hopefully take shape soon.

If you were to be born as an animal, which would it be?

J- A Fox, cause I am incredibly sly 🙂

Describe yourself in 5 words.

J- Positive, Driven, Impractical, Noisy man.

sLick the brainchild of young entrepreneur and music junkie Prateek Pandey is the front runner of Underground quality House music in India; looking forward to the association?

J- Can’t wait to meet him, he sounds like a right geezer 🙂

To keep yourself tuned in to the master, please visit http://www.jodywisternoff.com

And for a taste of all that is to come this summer Jody style is a mini-mix from his album- ‘Trails We Blaze’.

Until then bozos…

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