Posts Tagged ‘Underground’

A final piece of the puzzle falls together inside my mind when I hear Sahar Z’s myriad talent. His Dj sets and productions have simply distinguished himself from any pack. I believe, that music first and foremost should inform, educate and then simultaneously entertain….and Sahar is all that and more rolled in to one sparkling performer.
Plus there is no question about his royal presence in Israel’s vibrant night life scene, and is spoken off with much excitement and love. Sahar has always been in the fore front of club doings in Tel Aviv, except now his uncompromising talent and musical repertoire is pushing itself to the rest of the world with great speed and fanfare.
And I’d like very much to take the onus up of introducing the electric focus of Sahar Z to our Indian shores, cause he’s with it…


Sahar 🙂 Tell us how you’re journey began in the initial days of you starting as an up and coming Dj?-

SZ- From when I was 8, I remember coming back home from school every day straight to our living room where my Dad’s Turntable and vinyls collection were kept, I used to pick the same one every day that was ”Cerrone – “Supernature” and without fail hypnotized from the first analog synth arpeggiator I’d ever heard. Since then my desire for music, new sounds and new beats just grew from day to day. I used to go to school with my big double Tape Cassette, waiting for the breaks between classes to play music to my friends who were my very first audience.
When was it you realized that being a DJ/Producer is what you were meant to be?-

SZ- When I saw and heard the way people reacted to my sets and music.
Who were the early influences, the artists that you were growing up listening to that may have made an impact on you’re young mind?-

SZ- Cerrone – Pink Floyd – The Doors – Led Zepplin – Giorgio Moroder – Kraftwerk – Art of Noise – Run D.M.C – Depeche Mode – New order – Steve Wonder – Joy division – Duran Duran.
Israel has made a deep undoubtedly huge impact on the dance music scene, predominantly because of it’s Psychedelic Trance heavy artists, making their way around the world. Having come from such a background, how did you get in to the Progressive/Techno circuit. Is there a fair following for the latter sub-genre, what made you choose this sound?-

SZ- In my opinion to divide music in to genres is not really a productive thing, for me there is only music that I like and music that I don’t like.
Tell us mainly what got you going in to producing music, and is a large amount of you’re time spent tinkering in the studio. What piece of music equipment is your prized possession and do you play any musical instruments?-

SZ- A big desire to translate the way I think about music into something real that I can play and share with others. I played the Piano from age 8 till 15, my favorite equipments in my studio are: Elektron Analog Four & Virus Kb that I use for sounds like arpeggiators ,pads, chords,bass lines and fx, for drums programming I like to use the Maschine by native instruments.


Can you share with us your experiences of the residency at one of the top clubs in Israel, ”Haoman 17”, what’s the current status with it?-

SZ- The Resident DJ degree is a crucial significance in club culture. He or she is unlike artists hosted occasionally, DJing regularly at the same club develops a deep and intimate relationship with the audience. It is a powerful contact to making the degrees of a club experience to a higher level of spirituality. I did it for 12 years and in 2007 the crowd started to change in the club and I’d started to feel like a stranger in my “home” which made me decide to leave, to look and create a new one which is the Cat&Dog.


What’s your take on having won the Dj of the Year award, 3 consecutive times as hosted by one of Israel’s premier dance music magazines. Has life changed for you with these accolades?-

SZ- Personally I’ve stayed the same like I was before the win. The only things that changed is the fact that I have become the most popular Dj in Israel. I’ve started to tour the country from South to North playing every weekend. Sometimes in several clubs in the same night. For me it has been a challenging time. I was away from my “home”, from my regular audience that knew me and my music perfect. I needed to play to a new crowd that has never heard my style of music, but they’ve heard my name from the newspapers or from friends that came to parties at Haoman 17.
What made you open one of the most prolific dance clubs to come out of Tel Aviv- ”The Cat & Dog”. Could you share the ideas and vision you had to be part of this as a Dj and club owner. Do you take part in day to day activities, aside from featuring in you’re residency?-

SZ- In Tel Aviv at that time there were only bars playing a mix of all kinds of music and some mega clubs that is too mainstream and relevant to the young crowd.The good old and the new generation of the underground electronic people and music lovers were missing a place to hangout in that will fill their passions and needs. The cat&dog club was opened to fill this empty square in the club scene. In the day time I’m taking part with what is related to the music policy in the club – line ups – Djs and of course my residency.


Sahar, you are collaborating with some of the most respected record labels such as Bedrock, Lost & Found, Renaissance to name some. Happy to be part of such giants… do you suit your sounds with the requirements of the labels, or if you can fill us in with what exactly the process is behind these partnerships?-

SZ- In the studio I focus only in music – I’m not trying to suit it to labels requirements. What comes out in the end stands for itself. The process after is to contact a label you like and respect, that is releasing music in the similar sound and vibe. After the first/second release it’s normal to start a partnership/ relationship with the label if you both are happy with the result.
Do you enjoy remixing work of fellow Djs, as much as making you’re own tunes?-

SZ- I like them both but prefer originals. In remixing other Dj’s music I do enjoy translating their music and vibe in my way and to give the listeners another way to experience that track. As far as my own tunes go, it’s more personal. You don’t need to use other producers parts like in remixing, here everything is born in the studio influenced by your own feelings at that time and not limited by any genre or style.


The name of Sahar Z is synonymous with the other demi gods of dance music namely Lost & Found label owner, Dj/Producer extraordinaire Guy J and of course the Progressive behemoth Guy Mantzur. Can you tell us of how you guys met, got together and decided to collaborate in music. Could you give us a peek in to the specialty of the relationship you 3 share?-

SZ- I met Guy J and Guy Mantzur years ago, each one in a different situation and a different period of time. In both cases we started to hang out and share our vision of music, a subject that immediately led us to play back to back in some clubs and to the studio to make music together. After I met Guy Mantzur, I introduced him to Guy J and from that day we’re like a family and Lost&Found is the home base. What makes this relationship we three share special is that there is no ego here, it’s a friendship that grows beyond music, just pure respect and love.
To a layman this side of the world, how would you describe the sort of music you play currently?-

SZ- It’s music for your head and not only for your legs, what I’m trying to do with my music is to transport the crowd through a journey of atmospheres and moods ranging from hypnotic beats to deeply vintage synthesizers, with melodic sounds and fresh electronica to the harder yet soulful Techno edges.
Let’s talk about an important question that comes to many a mind. That of quality music…I personally don’t feel there’s much of great productions out there nowadays. Do you think dance music in general has become sort of stagnant? Boring? Monotonous?-

SZ- Yes I agree with you that the current electronic music market is flooded with lesser quality music than in the past. Today the ability to create music is accessibility for everyone because of the new technology rise. In this digital age to open a records label doesn’t require mortgage any more, you can release tracks with costs that are minimal. Take these two things, put them together and there’s the reason for that amount of non-quality music flooding the market. But there are still super amazing producers out there old and new ones… one just needs to really dig deep beneath to find the quality ones..
I’d like to know you’re thoughts on the annual Top 100 Dj poll?-

SZ- It was never relevant to me and I’m sure that in the last few years more and more colleagues and underground music lovers feel like me.
To hit the high notes of you’re production sensibilities; what are the elements or sound scape that you like to present in your music work. And if I were to ask you, to choose one tune that you are especially proud of having created, which one would that be…?-

SZ- I like to create a groove that will hypnotize you, it will be deep and warm but still a bit junkie and twisted, on the top one will always hear a deep atmospheric melody that gives my raw sound a human face, to make it less cold. If I had to choose one it has to be the remix I did with Guy Manztur for one of my tracks that came out on Renaissance Records- “Beyond Detroit” (Sahar Z & Guy Mantzur after-hours remix)-ITS A FUCKING MENTAL JOURNEY INTO YOUR HEART AND MIND!
How’s 2013 been for you on the whole, you seem to have peaked with much of you’re work being show cased by many a top Dj. Happy with your musical achievements?-

SZ- Yes, I think 2013 was a great year for my music , I had some great collaborating with Guy J – Guy Mantzur – Chicola and Khen (with more to come in 2014) that’s got some really good feedback, but also it was the year that I found my independence in my studio productions and I finally came out with some solo projects.
In the current day and age of fast rising names and flash in the pans, what according to you are the main stays of a great Dj/Producer who can stand above the rest in terms of longevity?-

SZ- First and foremost it’s important to make your own music, your own productions whether they are originals or remixes, you need to be unique and fresh so it can stand above the rest of the music out there, and there is a lot out there!! Secondly knowing how to use it properly and in a clever way all the new medias out there like: Youtube – Facebook –Soundcloud –Instagram for your own promotions. One can create their own group of followers from all over the world, it’s crazy…Thirdly, use technology to re- create your sound and sets.
What can we expect from the ”The Cat & Dog” club brand in the near future. Any plans to expand and or promote the project in a bigger manner in the rest of the world?-

SZ- We may go global in future, but for now our goal is to keep up with our vision and to keep entertaining the crowd with our music and keep the fun experience one can get when one walks in to this amazing club.


The varying forms of technology remain the topic of conversation now. How much of it do you use in your Dj sets?-

SZ- As much as I can. In this day when music is accessible to everyone, one needs to find a way to be a bit different then the rest and technology can help you do that. One can re create others music the way you like and make it exclusive again, you can bring an entire studio into the Dj booth in a size of an Ipad. Future technology allows you to do things you can’t really do in the classic way of Dj-ing.
Lastly, I honestly have not come across even one track that you’ve made that I did not absolutely love, I’ve always found your music deliciously haunting and dance ready. Can we expect any album or compilation release in 2014? And thank you for talking to us at length about everything Sahar Z and the music you bring 🙂

SZ- My future plans are to start working on my first solo album. It’s something that I must do for myself. My goal is to keep making music that entertains me so it can keep entertaining the crowd.. Thank you and big love..

When you wake up to the musical sensibilities of Sahar Z, you know you’re connecting to cutting edge music, fierce vision not many performers are gifted with. Undoubtedly that itself is enough to leave a pretty damn inspirational legacy…

A kaleidoscope of his tunes, and one turns in to a Sahar Z fan forever…till then I’m hopping like a bunny for his magic to hit India sooner than later!! Cheerioo munkeys 😀

For all his news, views and gig updates around the world, visit- Sahar Z Facebook

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Goodie bag section- get your hands on this sick mix, the latest in from the musical man at Tel Aviv, for Coalition Music…

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Long live dance and the Djs who make us the clubbers that we are…

An event anticipated and much awaited by many, from nearly a month before…Azax Syndrom- India Tour 2010. So I must tell you that I was quivering in excitement, much like the rest of the Psy heads of the cities he performed at.

So with lightning feet and a heart full of promise at a treat, there I was with my dance munkies, first ones on the floor. Add to that, a curious line up of 3 performers prior to the big gun Azax taking over the console.

Helium Project; had the opening set honors with some smashing candies fit for a warm up keeping it melodic and easy, time out at getting groovy and ground breaking. He got the tempo going halfway through, with crowds filtering in much later than expected. Helium was playing at a Progressive Trance set, a first of sorts keeping it close to the music best suited for the night, much removed from his usual specialty of Underground bombs. Keeping it simple always works. Impressive too!

Shivadelic; Second to none that I have come across, apparently it was the performer’s first outing at a club format such as Blue Frog and boy did he remind me of Hrithik Roshan in “Kaho Na Pyar Hai”, guess he definitely will be the bicep rippling hero of the future Psychedelic scene, I am thinking. At some point I switched my brains off to a no holds barred screaming crowd who simply loved the tracks Shivadelic played with. There is a Beatport Top Ten for Psychedelic and this was it.

Raveoholic; now we come to that point where the Dj in question comes into the console in a packed like a can of sardines and frenzied club, I understand that one has to keep the tempo going and showcase your web of music to the best of your abilities for clubbing entertainment, which he did. Some earth shattering tracks were featured by Raveoholic while the mood was up-tempo and fierce which is fantastic going, but the timing is debatable. Must mention here, the aspect of Visual Jockeying is getting bigger and brighter, adding so much value when synced in with the mood and music of the night, as was clearly on display.

Azax Syndrom; easily a Goliath of the Psychedelic world. He is worshipped and adored aplenty. Azax went onto playing as well as he does and predictably everyone loved his hard floor style. I would like to mention though that some tracks were not snazzy enough for me and I did plod through them, monotony did get a hold of me on a couple of occasions (All you Azax lovers please don’t run at me with bats hahhaha!!) and then there were those gems included, like ‘Hokuto Shin Ken’ & ‘Evolution’, flying right at me.  Undoubtedly, he is a fabulous producer and supreme at the level of what he creates as his own.

To finish it off I’d like to request the powers that be to take notice of what makes a night is the guest Dj after all and to ensure that the said artist is the focus. To keeping that in mind a shuffling around of the line up in the Djs featuring right before Azax Syndrom came on, can be a lesson well learnt. At points, some of the music was far too pushy and bone crunching right before the main act came on. There may come a day when we study a bit more into who will make the right cut when, it is so important to put the right sound at the right time. In no way does it take away the fact that Digital Om has got it going on with artists that matter in the kitty and what a hedonistic nocturnal raving the night turned out to be for everyone that attended.

Ciaoo dance baddies but not before I give you a sweet grooved up set by Helium Project as a download!

Helium Live at Blue Frog

Doo doo doo, Da da da I am quirkily humming, a non conformist as ever hmmprrh!!

I got a sore back and heavy head with a first timer of sorts with the two ladies hosted by Blue Frog- Priyanjana and Kini Rao, dictating how we can make dance moves aplenty. Girl Trouble, indeed!

Let’s see now, the crowd at Frog was not so much to talk home about being a holiday week-end, but clubbers present had top energy. It was my first time listening to the pixie girl from Hyderabad, mucho fresh Kini Rao. I was surprised by the light energy she put forth in her warm up set. Although the tempo went all too fast for me but what the hell, she quickly got down to business by getting people to the floor with lotsa grooving and moving… not a bad thing at all. According to me, she had the requisite bar bass lines to get the floor warmed up, bouncy and groovy all at once. Tracks by Dubfire, Format B, Beckers, Butch & Slam are all on her showcase. All great stuff surely and she is easily a whole load of talent that can only go up from here on.

Priyanjana has come a long way from her residency days at Poison playing commercial sounds to being a goddess of Progressive. For a while now she has found her calling in House music and she does it damn bloody well. I am well aware of her transitions and find her to be one helluva artist to watch out for, what is also fabulous in her persona is the humility she displays even after being such a cracker of a Dj. She knows her craft and is wily enough to play big room sounds which is so important, it shows she is studying and knowing the venue to play exactly what she did. Massive futuristic gems flew out from her time at the console, she featured artists such as RPO, Anthony Pappa, D-Nox, Sonny Whorton to name a few and got all of us in a right frenzy.

I thought there were a couple of times when the two artists doing a back to back seemed disjointed, cause both are fiercely individualistic performers, overall with a session like theirs, it could have been really much worse for me as a clubber. As one is Techno plush and the other deeply Underground charged. For once I didn’t really concentrate on a journey, but gave myself off to a roller-coaster ride with the girls and their quick console changes till the very end.

I would really like to see Priyanjana & Kini Rao in their space, playing solo sets. To team them together doesn’t do justice to either of their sounds, so different from each other. But I am waving a red flag for both, they bode well for the dance industry in general. Priyanjana leads the way by giving anyone a run for their money, she has become that good in Electronic Dance music and Kini is slowly making inroads into the scene off late as I know it and I am happy. The night was fun enough with great energy, all around.

Tech-House is coming out of every orifice that I have and I am bored to death, it’s really getting pre-historic for me. Give me lush Progressive Underground melodies and hypnotic Techno, with those booming spacey bass lines. Oh lovely! Both the above mentioned artists did differently and I can only kiss their senses.

A big shout out to Fahd dearie at Onseed for a flyer that’s funked out. Also, if anyone feels like re-skinning themselves you must visit for more details.

I’m off to a biggie, but not before I furnish you with Priyanjana & Kini’s mix sets, available for your download capabilities.

Dj Kini Rao-  Download!

Dj Priyanjana-  Download!